ARTIST STATEMENT

My practice is rooted in the tension between light and shadow, vitality and fragility, presence and disappearance. I explore the duality of life and death not as opposites, but as interdependent forces that shape human experience. These themes, historically embedded in cultural memory, are reinterpreted in my work through contemporary painterly language.

Working primarily in oil, I construct layered surfaces where dense, expressionistic textures coexist with luminous chromatic fields. Color functions not merely as an aesthetic device but as an emotional and symbolic force—at times erupting with intensity, at others receding into darker tonalities that evoke introspection and uncertainty. The materiality of paint becomes a site of negotiation between control and spontaneity, structure and dissolution.

My background in industrial design informs a spatial awareness within the composition, while my training in printmaking reinforces a sensitivity to contrast, depth, and surface tension. This interplay between construction and gesture allows me to move between abstract figuration and expressive abstraction, generating works that oscillate between recognition and ambiguity.

Everyday experiences, personal and collective, serve as catalysts for visual transformation. Rather than depicting narrative events directly, I translate them into atmospheres—spaces where memory, emotion, and symbolic resonance converge. Through extreme contrasts—light against dark, saturation against void—I seek to articulate a renewed affirmation of life: not as naïve optimism, but as resilience.

Painting, for me, is an act of insistence. It is a way of confronting impermanence through material presence, of allowing intensity to surface, and of creating visual environments where viewers can encounter both vulnerability and vitality.o live life to the fullest, conveying her experience and personal vision through her art.